Friday, November 8

KNIGHT WITHOUT A HORSE continued . . .



For the Gulf News story "Row fuels people's curiosity" covering the TV mini-series, they interview some folks in Beirut.



Ahmed Sinno, a student at the American University of Beirut... "thank God we have televisions that are outside the American hegemony such as the (Hezbollah-owned) Manar Television."



But over at Yalla! Your Lebanese Portal, we get a somewhat different picture via AFP:



Lebanon's highest court Monday annulled the June by-election victory of anti-Syrian Christian opposition MP Gabriel Murr over a government candidate, judicial sources said.


So, while Ahmed and others are sitting mesmerized in front of their (Hezbollah-owned) Manar TV, it seems like an election has just been annulled.

Thursday, November 7

THE CAMEL THAT GREW SIX WHEELS



Are Evil Masterminds taking over your world?



Sometimes it may seem that way. But Evil Masterminds really enjoyed their apex of popularity around the turn of the last century from the late 1800’s into the 1920’s. As we have moved from the Twentieth Century into the Twenty-First, it is not surprising to see a revival of this phenomenon.



This year for Ramadan, Egyptian television will be showing a mini-series called KNIGHT WITHOUT A HORSE which incorporates elements of the Evil Mastermind phenomenon via a spurious document known as The Protocols of the Elders of Sion which originated during the time period in question, a time of great upheaval in the developed world during which the largest confederated empire in central Europe, the Austrian Hapsburg Empire, disolved. A multicultured entity which was nominally Roman Catholic, its downfall and the accompanying rivalries of ethnic and other groups engendered ugly competitive feelings. Even so, its end is often remembered sentimentally in popular culture by the romantic story of Mayerling. This time period was also tumultuous in the Russia of the period where it culminated with the end of the Russian monarchy and the rise to power of the Communists.



Inspired in part by archeological findings and the shifting national identities ensuing from wars and empire reconfiguration, many people in this time period began looking to ancient Egyptian culture, ritual magic, astrology, spiritualism, exotic religions, Theosophy, and the occult for answers. And often the question on their minds was: Who is behind all this?



Sax Rohmer (1883-1959) the author of THE INSIDIOUS DR. FU MANCHU was also deeply steeped in alchemy, Theosophy, and all kinds of mysticism. The character he created was not just a villain or a criminal but the director of a vast network he had at his command. And he seemed to be the very embodiment of metaphysical Evil:



Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government--which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu-Manchu, the yellow peril incarnate in one man.




-- Nayland Smith to Dr. Petrie,
The Insidious Dr. Fu Manchu, circa 1913 book form



In addition to the Fu Manchu books, Rohmer was the author of THE ROMANCE OF SORCERY recently republished as A GUIDE TO MAGIC, SORCERY AND THE PARANORMAL.



One of Dr. Fu Manchu’s antecedent’s may well have been that other well-known English evil-doer, Dr. Moriarty, created by Sir Arthur Conan Doyle the author of Sherlock Holmes. Moriarty has been described as an all-encompassing super-criminal.


He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the centre of its web...[snip]...He does little himself. He only plans.



The French, too, had their counterpart in the personage of Fantomas, done up in the inimitable Gallic style. Written by Pierre Souvestre and Marcel Allain, Fantomas was a master of disguise who had a thousand identities and could appear out of nowhere to commit the most gruesome, seemingly gratuitous crimes.


"And what does this someone do?"

"Spreads terror!"


But the Evil Mastermind surely reached the pinnicle of development in Fritz Lang’s movie Dr. Mabuse the Gambler (der Spieler). Described as an urbane and elegant master criminal, Dr. Mabuse was a hypnotist/psychiatrist and an expert manipulator who puts people into a position where they could be blackmailed so that he could corner the stock market. Inspired by a novel by Norbert Jacques serialized in a Berlin newspapers and the current events of the era, this 1922 film is a creepy classic.



Is this kind of entertainment harmful? Not if you don’t take it too seriously, it probably wouldn’t be. But there may be some impressionable people who can be drawn into it, just as there are impressionable people who have gotten drawn into Dungeons and Dragons, Vampire Role-Playing Games, Wagner’s Parsifal, and the Everquest Computer Game.



Will the Egyptian public be persuaded to believe in the Protocols myth because they see it integrated into a fictional mini-series? Will the producers of this TV entertainment FARES BILA JAWAD announce before-hand and periodically throughout that this mini-series is fictional? Or will they give their public the impression, if only by negligence, that this is a factual historical recreation?



How gullible is the Egyptian public?



Only they can answer that question.



Well, maybe only four wheels.






















Wednesday, November 6

MEANWHILE AT THE BBC . . .


Mohamed Sobhi, the lead actor and one of the producers, said he acknowledged that the Protocols were forged but said some Jews still followed Zionist principles. [Link]
RALLY FOR "THE KNIGHT"


Egyptian newspaper Al Osbou' organized a solidarity rally for Knight Without a Horse.


"When the series is displayed, it will be the sharpest response to this nazi attack."


"if they want to attack us and control our minds then let them try."



"The inspiration, in part, is a work of notoriety."


from the Philadelphia Inquirer online by Ashraf Khalil:


Muhammed Sobhi seems genuinely puzzled by all the fuss about his latest TV project


I'm beginning to get the impression that he just did this for publicity to get more viewers for his TV series.


I'm beginning to get annoyed by the people who are acting as TV critics who are writing what appear to be reviews of this mini-series, but who haven't actually seen it. How's that for credibility?!


MORE ON THE KNIGHT TV SERIES



This from UPI via Google gives the basic storyline



The series tells the story of an Egyptian popular hero, Hafiz Najib, who lived in the 19th century and fought the British forces occupying Egypt. The series ends with the Balfour Declaration of 1917 in which the British Foreign Secretary Lord Balfour announced support for a Jewish homeland in Palestine.


Subhi considers the declaration to have been an English Zionist conspiracy not only favoring a Jewish homeland but also aimed at partitioning the Arab world.


In the series, Najib's struggles take place in the context of plots to control the world attributed to Jews in the spurious Protocols.

Tuesday, November 5

MORE ON FARES BILA JAWAD



From The Turkish Daily News Online (Scroll down to bottom.)


"This is an imaginary television drama -- it doesn't assume that this happened in reality," author Baghdady told Reuters.


KNIGHT WITHOUT A HORSE



There was a protest yesterday outside the Egyptian Embassy in Washington, D.C. against the airing of the Dream TV series on Egyptian television. The series will be shown on 22 Arab satellite television stations in Egypt, Syria, Saudi Arabia, the United Arab Emirates and Lebanon. The story is described as follows: Egyptian journalist fighting British occupation in the late 19th century discovers the plan of an international movement to control the world. The protesters were calling on the Egyptian government to cancel the program.



I have mixed feelings about this. On the one hand, I support their right to protest and to demonstrate; but, on the other hand, I am uncomfortable with their demands to cancel the program because it inevitably will seem like an attempt to control or censor what another group of people can see, and, predictably, it will be resented by the Egyptians as a denigration of their sovereignty which will not produce sanguine results. I do understand that the protesters are trying to focus more attention to this issue, but I suspect that they will further alienate many Egyptian people, so that the protesters may only exacerbate the problem.

Sunday, November 3

Yossi Klein Halevi watch



Larry Yudelson is running this feature, but it doesn't seem to be cross-linked or accessible from his regular weblog. I got there from browsing the weblogs.com update site.